Tuesday, October 3, 2017

The Parent Trap (1961) VS (1998)



Parent Trap Blog Post Analysis

    For my assignment, I will be comparing the original production of The Parent Trap (1961) in comparison to the “newer” film starring Lindsay Lohan (1998). One of the aspects I will be analyzing is the difference in the parenting styles in the year 1961 and 1998.
    I feel that in the 1960s parents had more control over their children than they did in the late 90s.  I found an interesting article to help better understand these differences.
    “...today’s parents, compared with 1950s parents, are paying more attention to, doing more things for, providing more help to, and praising their kids far, far more than did 1950s parents…parents did not seek our opinion about such things as what we would deign to eat for dinner and did not care whether we approved of their choices or not. Furthermore, they did not care how we felt about any decision they made. We were given reason to control our emotions rather than let them control us.” (Rosemond)
    In the late 1990s, we saw more technology released and used, there were more people using cell phones (the TV shows were better, life was simpler… I was also a toddler which may have had some effect on the simplicity of things lol).
There are many scenes in both Parent Trap films where the differences in parenting are evident.
One example is when the father announces to his daughter his intentions of remarrying.
In the 1961 version, when “Susan” begins to protest the father becomes angry, he yells at her to stop shouting and ends the conversation.
However, in the 1998 version while the conversation still doesn’t go well, the scene is very light-hearted and comical. When “Hallie” starts yelling in French, the dad is not strict at all, allows it to happen, and doesn’t seem to upset when she storms out of the house.
Another example is when the daughter living in England receives a telegram (or fax, 1998). Once again, we see a lack of discipline in the 1998 film.
In the 1961 film the family demands to see the telegram “Sharon” receives and the meaning behind the message, later we see the grandpa eavesdrop on her phone call. Later the Grandma is giving a schedule of the day, when Sharon interrupts and is scolded for her actions.
While in the 1998 butler finds fax, “Annie” asks to step out and literally freaking leaves the house and runs to use a telephone, (this was always crazy to me, maybe I don’t fully understand culture in England but if I left the dinner table and ran away a few blocks my mom would have kicked my butt) When her mom has plans they are a question/suggestion, rarely an order.
The final comparison I have for this topic is when the families realize the switch, once again the 1998 film seems to portray the parents as complete pushovers.
In the 1961 film when the family in England realizes the twins switched places there is initially confusion, and slight anger from the mother, then she is nice, and sad she didn't know it was Susan.
In the 1998 film when the family in California realizes the difference, the maid is very emotional and happy, wants to make her everything in the kitchen. The dad is never mad, he’s a mixture of happy and excited but still confused.
When the family in England catches on, the mom cries and is not angry (until she realizes she must see her ex-husband again lol).
In both locations, the girls are never yelled at and are not punished until they return to California.
           In conclusion, I feel like parenting styles will vary depending on location, culture and the times. While in the Parent Trap the parents in the 1961 filmed were seemingly more stern and the 1998 film more lenient, I feel if we saw another remake in 2018 (20 years later holy moly), we would circle back to parents being more firm with their children.

The social issues and differences of "Invasion of the Body Snatchers (1956)" and "Body Snatchers (1993)" by Montrell Wiley

Abstract 
This paper presents five articles and two websites that all help explain the context and themes of the 1956 film "Invasion of the Body Snatchers(IBS) directed by Don Siegel, while also doing the same for the 1993 remake of the film "Body Snatchers" (BS) directed by Abel Ferrara. Each source gives different inputs on what helped influenced the film's creation, while also noting their time periods and social conditions of that time. Jenkins (2012) points to the domestic issues of post-World War II that IBS portrays, and argues that the film's genre is a Gothic representation of the social conditions of the US at that time. Meanwhile, Hendershot (1998) speaks on the paranoia of radiation contamination in a postwar America. When moving up almost forty years, Ebert (1994) talks about BS and its connection with military conformity and also the AIDS epidemic. Liss (2001) tells us how these films can teach us post-World War II history. Telotte (1983) touches more on the science and biology of the film, which connects with how we as a species want to abdicate from human "responsibility", as in becoming an automaton like the people become in the movie can actually be desirable. Wikipedia just gives us some more general information about the films. 
  • Body Snatchers (1993)



The main argument for this movie is within its portrayals of conformity and of what the government and military are like. 


Syntagmatic 

"...we spend half our lives asleep."  
This quote gives the impression that the main character believes that everyone is "asleep" or that they can't see what is really going on in the society and world around them. It is parallel to the more modern saying of "being woke"  

Chemist:"You got a lot of chemicals in this [military] base, they're all pretty toxic..."  
Captain: "I'm not talking about physical [effects], I am talking about psychological." 

These "chemicals" can very well be talking about the effects  that joining the military have on the people who join. Joining compels them to conform. 


Paradigmatic

In this scene, which starts before the 10 minute mark, it sets the tone pretty well and shows themes early on. 

Here, the protagonist is surrounded by army guards, or surrounded by authority. 
But then another "cool" girl shows up in a Firebird knockoff and saves her. The movie gives her the image of being an anarchist or someone who doesn't conform to society.

              In another scene, we find a school teacher teaching children how to paint. The ironic part about this scene, is that painting is completely artistic and unique, but the teacher is telling them exactly what to paint ridding them of their uniqueness.


All of the children hold up the same painting 
Only one little boy held up a unique painting

The boy felt isolated, different, and obviously confused as to why his didn't look like everybody else's

Invasion of the Body Snatchers (1956)

Some argue that this movie is a work of Gothic fiction, and there are a few factors that give this idea life within the movie. 

Syntagmatic
In the Gothic novel, the atmosphere will be one of mystery, suspense, and fear, the mood of which is only enhanced by elements of the unknown or unexplained. (Thoughtco.com) All of these themes come into play in this movie, as no one understands what exactly is wrong with the people who seem different or the people who are experiencing hysteria.


Oftentimes Gothic fiction will contain elements of the supernatural or paranormal...In some instances, these supernatural features are later explained in perfectly natural terms, but in other works, they remain completely inexplicable. (Thoughtco.com) The only thing that the people of the town know about these impostors is that they come from plant-like pods in the ground. Keeping their origin inexplicable makes a strong lead towards being Gothic fiction.

Paradigmatic

Becky, the protagonist's love interest, is the only female in the movie who is not blonde. She has dark hair and eyebrows, and wears darker lipstick. This could be trying to portray her as a Gothic heroine, as black often refers to death or horror.

References
 
Burgess, Adam, (2017, August 07) "An Introduction to Gothic Literature" ThoughtCo. https://www.thoughtco.com/what-is-gothic-literature-739030 
Ebert, Roger, (1994-02-25). "Body Snatchers Review"Chicago Sun-Times. 
Hendershot, Cyndy(1998). "The Invaded Body: Paranoia & Radiation Anxiety in Invaders from Mars, It Came from Outer Space & Invasion of the Body Snatchers." Kent State University Press 
Invasion of the Body Snatchers. (2017, September 23). In Wikipedia, The Free Encyclopedia. 
Jenkins, Jennifer L., (2012). "'Lovelier the Second Time Around': Divorce, Desire, and Gothic Domesticity in Invasion of the Body Snatchers."The Journal of Popular Culture Volume: 45 Issue 3 
Liss, Neil. (2001). "'FILMS FOR OUR TIME: USING "INVASION OF THE BODY SNATCHERS' TO TEACH RECENT AMERICAN HISTORY." Teaching History: A Journal of Methods Volume: 26 Issue 1 
Telotte, J. (1983). Human Artifice and the Science Fiction Film. Film Quarterly, 36(3), 44-51. doi:10.2307/3697349