Page
|
Panel
|
Abstraction
|
Transition (by panel)
|
Time (by panel)
|
Line
|
Words/Images
|
Special Notes
|
1
|
1
|
3
|
N/A
|
Looks like a photograph, yet it also looks like a long dramatic
moment
|
Beauty of background juxtaposed by serious stance of Dream
|
Word-specific
|
|
2
|
2
|
Action-to-action
|
One, single, slow moment (photograph-like)
|
Serious, dark shadowing/ ink
|
Duo-specific
|
||
3
|
2.25
|
Action-to-action
|
Hair seems to be moving slightly.
Other than that, photograph-like
|
Serious, dark shadowing/ ink
|
Parallel
|
||
4
|
2.25
|
Action-to-action
|
Sand is the only thing that moves down into Dream’s hand
|
Convey seriousness and anxiousness with dark shadowing/ ink
|
Parallel
|
||
5
|
2.5
|
Action-to-action
|
Sand falls slowly, softly, from Dream’s hand
|
Gentle, soft lines as sand falls
|
Parallel
|
Here, panels look like a series of photographs that turn slightly and
fall, like the sand that is falling in these images
|
|
6
|
3.5
|
Moment-to-moment
|
Sand continues to fall
|
Twinkling lines that suggest beauty
|
Parallel
|
||
7
|
3.5
|
Moment-to-moment
|
Sand falls (twinkling)
|
Soft, twinkling lines
|
Word-specific
|
2
|
1
|
2.5
|
N/A
|
Photograph of Dream standing
|
Serious, sharp lines and shadows on Dream
|
Interdependent
|
|
3
|
1
|
3.75
|
Dream teeters at edge to Hell: slow movement
|
Soft, gentle lines as dream teeters on edge
|
Picture-specific
|
||
2
|
3
|
Action-to-action
|
Dream is falling: fast movement downward
|
Serious shadows over Dream’s face: he is serious
|
Parallel
|
||
3
|
4
|
Action-to-action
|
Dream falls faster: quick movement
|
Quick motion lines: gravity-like speed
|
Interdependent
|
||
4
|
3 (foreground), 4.5 (background)
|
Action-to-action
|
Dream lands: lines suggest quick fall that stops when he finally is
at gate to Hell.
|
Quick motion lines, Dream stops and lands in Hell. Lines on dead and background are severe:
suggest insanity
|
Parallel/Duo-Specific
|
||
5
|
3
|
Subject-to-subject
|
Quick, hard knocks on gong
|
Serious shadows over Dream’s face.
The dead in the foreground are savagely grotesque
|
Picture-specific/ Montage
|
||
4
|
1
|
3.25
|
Standstill photograph (head talks), flies buzz around head slowly
|
Savage, “mad/insane” lines around dead head
|
Word-specific
|
||
2
|
3.75
|
Subject-to-subject
|
Photographic (Squattlebloat rises slowly)
|
Strong vertical lines of gate
|
Duo-Specific
|
||
3
|
3.5
|
Action-to-action
|
Photographic (Squattlebloat completes rise)
|
Strong, vertical lines of gate and savage shadows on Squattlebloat
|
Duo-Specific
|
||
4
|
3
|
Action-to-action
|
Slow, deliberate movements (as Squattlebloat opens gate)
|
Lines seemed to be composed of serious nature around Dream;
Squattlebloat seems to be savage, mad-like
|
Duo-Specific / Word-specific
|
||
5
|
2.25
|
Moment-to-moment
|
Photograph of Dream
|
Serious shadows and sharp twinkle in Dream’s eyes
|
Word-specific
|
||
6
|
3.25
|
Action-to-action
|
Almost photographic portrayal as Dream goes through gate
|
Inky, dark shadows
|
Word-specific
|
||
5
|
1
|
3
|
Dream forcefully and quickly grabs Squattlebloat because Dream is
insulted
|
Motion lines; Dream seems to be more severe (hair is slightly
spikier); Squattlebloat, by contrast, seems weaker
|
Interdependent
|
||
2
|
4 (Squattlebloat), 3.5 (Dream)
|
Action-to-action
|
Quick motion of Squattlebloat rolling as he is thrown by Dream
(motion lines/ body)
|
Motion of Squattlebloat rolling
|
Picture-specific
|
||
3
|
3
|
Action-to-Action
|
Another photographic portrayal as Squattlebloat sits there and Dream
seems to stand still
|
More inky black shadows; Dream is just as serious; Squattlebloat is
weak, yet still savage-looking
|
Interdependent
|
4
|
3
|
Action-to-action
|
Dream turns head quickly when he hears Etrigan (motion lines)
|
More motion lines; Dream seems dead serious, almost severe
|
Word-specific
|
||
5
|
3
|
Subject-to-subject
|
Etrigan is posing (photographic); perhaps some slight movement as he
is presenting himself formally to Dream
|
Spiky lines that suggest severe and savage nature of Etrigan
|
Duo-Specific
|
||
6
|
1
|
3
|
Photographic; only Squattlebloat is moving back to post/ “burning”
|
Serious shadows around Dream; savage, unwelcome lines around Etrigan;
|
Interdependent
|
||
2
|
2
|
Subject-to-subject
|
Slight, savage movement as Etrigan opens mouth
|
Savage and severe lines/ shadows make up Etrigan’s close-up face
|
Picture-specific
|
||
3
|
3
|
Subject-to-subject
|
Here, characters move slowly as this begins a zoom-out; looks almost
photographic here
|
Serious, dark shadows around Dream and Etrigan; flowing lines on cape
|
Interdependent
|
||
4
|
3.25
|
Moment-to-moment
|
Dream snaps tree branch; they continue moving slowly; zoom-out
continues
|
Serious, dark shadows and flowing lines on cape as they continue
|
Word-specific
|
5
|
3.25
|
Moment-to-moment
|
They continue walking; everything seems slow in panel; time inside
panel is short; zoom-out continues
|
Serious, dark shadows, and flowing cape lines as they continue
|
Word-specific
|
||
6
|
3.75
|
Moment-to-moment
|
Short time span; walking slowly; zoom-out continues
|
Everything becomes more abstract; mostly shadows on main subjects
|
Word-specific
|
||
7
|
4
|
Moment-to-moment
|
Here, panel bleeds off page in order to show us “The Wood of
Suicides” in Hell (timelessness, dramatic)
|
Savage, completely abstract lines to help represent the size and
severity of the Wood of Suicides
|
Duo-Specific
|
||
7
|
1
|
3 (foreground), 3.5 (background)
|
Short panel, not much time passes; subjects move slowly (almost
photographic)
|
Dark and severe shadows as Etrigan and Dream walk along cliff
|
Interdependent
|
||
2
|
2.5 (foreground), 3 (background)
|
Action-to-action
|
Jagged panel borders; short moments of disturbing images
|
Interdependent
|
|||
3
|
3
|
Subject-to-subject
|
Jagged panel image; short moment (photographic)
|
Nada is introduced here; she seems weak and disturbed
|
Interdependent
|
||
4
|
2.75
|
Action-to-action
|
Short conversation panel (photographic)
|
Dream seems more relaxed here, not as serious and severe
|
Interdependent
|
||
5
|
3
|
Subject-to-subject
|
Slight bleeding; timeless and dramatic moment, still slightly
photographic
|
Cliff has lines that suggest darkness and ominous
|
Picture-specific
|
||
6
|
2.25
|
Subject-to-subject
|
Photographic
|
Nada seems weak and disturbed here again; more details of her face
help reinforce her pleading
|
Word-specific
|
||
7
|
2.25
|
Action-to-action
|
Twinkling in Dream’s eyes; slight movement, but still mostly
photographic
|
Dream becomes more severe and unwelcoming here
|
Word-specific
|
||
8
|
2.75 (foreground), 3.5 (background)
|
Action-to-action
|
Movement of hand and Dream continues on with Etrigan
|
Nada’s hands look weak and pleading; Dream is made of nothing but
shadow, unwelcoming
|
Duo-specific
|
||
8
|
1
|
2.75 (Dream), 3 (Etrigan)
|
Photographic reaction
|
Dream has lines that seem somewhat anxious and surprised here;
|
Picture-specific
|
||
2
|
3
|
Subject-to-subject
|
Hell’s palace; it looks like it should be a photographic representation,
yet it seems alive and really busy and moving
|
Savage, severe, uninviting lines to depict Hell’s palace
|
Interdependent
|
3
|
3.25
|
Subject-to-subject
|
Photographic image of Dream entering Palace
|
Oblique angle of images suggest disturbing events are about to
transpire; very shadowy
|
Picture-specific
|
||
4
|
3.5
|
Subject-to-subject
|
Photograph of Dream standing before Lucifer
|
Oblique angle; severe, sharp lines
|
Additive
|
||
9
|
1
|
3
|
Photograph of Lucifer
|
Some shadows, but in general, Lucifer seems bright and slightly
inviting
|
Interdependent
|
||
2
|
3.75
|
Subject-to-subject
|
Photograph of Hell’s palace outside
|
Dark shadows; disturbing and uninviting palace
|
Parallel
|
||
3
|
2.75
|
Subject-to-subject
|
Photograph of Dream and Lucifer as they talk; Dream bleeds slightly
off the page (important figure); long dramatic effect)
|
Both figures are covered in shadows now; suggest some amounts of
tension
|
Picture-specific
|
||
4
|
3.75 (Dream); 3.25 (Lucifer)
|
Action-to-action
|
Slight, jagged movements of Lucifer; dramatic scene due to bleeding
of panel
|
Dream now seems more open and serving; Lucifer seems tense and
uninviting
|
Interdependent
|
||
10
|
1
|
3
|
Conversational; slight movement from Lucifer; a moment
|
Light shadows on Lucifer are contrasted by Dream’s shadowy and
brooding figure
|
Interdependent
|
2
|
2.5
|
Moment-to-moment
|
Zoom-in of Dream; suggest dramatic effect; seems to take longer
|
Shadows on Dream’s face seem dynamic and changing
|
Word-specific
|
||
3
|
2.75
|
Moment-to-moment
|
Quick, easy statement (short panel)
|
Shadows on dream hit him just right to make him look inquisitive
|
Word-specific
|
||
4
|
3
|
Subject-to-subject
|
Beelzebub appears; quick, short (short panel)
|
Slight hints of shadows around Beelzebub; makes him slightly
mysterious
|
Interdependent
|
||
5
|
3
|
Action-to-action
|
All characters are caught in introductions (no background); takes
longer
|
No background; concentration on the characters; they are mostly dark
here
|
Word-specific
|
||
6
|
3
|
Action-to-action
|
Information session as Lucifer explains how Hell has changed; not
much time passes, but bleeding suggest timelessness
|
Lucifer looks inquisitive; his wings are shadowy, yet dynamic
|
Interdependent
|
||
11
|
1
|
3.25
|
Focus on all four characters in confined, background-less space;
quick info session; slight movement from all Demon Kings
|
Heavy shadows on Azazel; light shadows on Dream and Beelzebub;
suggest some of the savageness of each character
|
Additive
|
2
|
3
|
Subject-to-subject
|
Short reaction from Dream; not much time passes (photographic)
|
Dream seems to find triumvirate of Hell amusing; dynamic/timeless
lines
|
Additive
|
||
3
|
3
|
Action-to-action
|
Photographic representation of all three Demon Kings (not much time
passes as we get another info session)
|
Medium amounts of shadows suggest inquisitiveness of Demon Kings
|
Interdependent
|
||
4
|
3.5
|
Action-to-action
|
Short, quick panel; Dream explains stuff
|
Dream seems somewhat defeated here; slight brooding lines
|
Word-specific
|
||
5
|
2.75
|
Action-to-action
|
Bleeding; dramatic moment when Lucifer discusses plan to find out
which Demon stole Dream’s mask
|
Shadows and proud (somewhat vertical) lines over Lucifer’s face;
suggest his determination in the task at hand
|
Interdependent
|
12
13
|
1
|
2.75 (foreground); 3.75 (background); 3.5 (Dream and co)
|
N/A
|
No borders (complete bleeding); suggest lots of movement happening
over a long period of time; chaotic, fast motions inside both pages; size of
picture suggest that things are happening over long frame of time
|
Different lines over all different characters suggest chaos and
confusion for the reader
|
Picture-specific
|
14
|
1
|
2.75
|
Photograph
of Dream’s stern face
|
Dark,
stern, severe lines and shadows around Dream
|
Duo-specific
|
||
2
|
3.75
|
Subject-to-subject
|
Photograph
of chaotic demon crowd
|
Savage
and severe lines of chaotic demon crowd
|
Word-specific
|
||
3
|
4
|
Subject-to-subject
|
Silhouette
of Dream; short action as sand is poured into hand
|
Complete
shadow; suggest an air of mystery or mysticism
|
Picture-specific
|
||
4
|
3
(Dream’s hand); 3.75 (demons)
|
Action-to-action
|
Sand
quickly finds demon who has Dream’s helm
|
Dynamic
and changing lines of sand contrasted by savage lines of demons
|
Picture-specific
|
||
5
|
3
(Choronzon); 4 (background)
|
Action-to-action
|
Sand
whips around Choronzon
|
Dynamic
and changing lines of sand contrasted by savage lines of demons and oblique
angle
|
Picture-specific
|
||
6
|
4
|
Moment-to-moment
|
Sand
continues to whip around Choronzon
|
Dynamic
and changing lines of sand contrasted by oblique angle of panel
|
Picture-specific
|
||
7
|
4
|
Moment-to-moment
|
Sand
continues to whip around Choronzon as Dream points him out. Whole affair takes at least 30 seconds it
seems
|
Sand
now resembles smoke; lines are only somewhat chaotic and image is more
abstract
|
Duo-specific
|
||
15
|
1
|
4.25
|
Blurred
photograph of Lucifer
|
Lines
make Lucifer look like he is glowing; strong, proud lines
|
Word-specific
|
||
2
|
3
|
Subject-to-subject
|
An
almost perfectly-detailed photographic panel of Choronzon
|
Severe
and somewhat savage lines help depict Choronzon
|
Interdependent
|
||
3
|
3
|
Subject-to-subject
|
Some
movement is suggested by Lucifer speaking and solemnness of Dream and other
Kings; also, this seems to be a long and dramatic frame based upon panel size
|
Dark
shadows help to convey solemnness and seriousness of Demon Kings and Dream
|
Interdependent
|
||
4
|
2.75
|
Action-to-action
|
Photographic
reaction from Dream
|
Sharp,
dynamic lines from Dream show how stern and serious he is
|
Additive
|
||
5
|
2.75
|
Subject-to-subject
|
Photographic
reaction from Choronzon
|
Sharp
and dynamic lines from Choronzon show his unwillingness to back down
|
Additive
|
6
|
3.75
|
Moment-to-moment
|
Zoom-out:
Choronzon stands his ground, demon crowd suggest chaotic reaction from
participants, judges stand out and on high
|
Unstable
lines; suggest tension
|
Interdependent
|
||
7
|
3.5
|
Moment-to-moment
|
Choronzon
“busts a move;” very quick and dramatic action
|
Light
pours down in sharp points; Choronzon still looks savages, but also dynamic
(bowing/diagonal lines)
|
Interdependent
|
||
16
|
1
|
2.75
|
Some
slight bleeding; circle suggest some importance of scene
|
Savage
and severe lines of Choronzon suggest joyful glee for deadly competition
|
Additive
|
||
2
|
3.5
(Choronzon), 3.75 (Audience)
|
Moment-to-moment
|
This
scene bleeds off page and seems to invade into the other panels; Choronzon is
the focus of the entire panel and audience below is very chaotic and seems to
have lots of movement
|
Dark,
shadowy lines that give away the shady atmosphere of the club; Choronzon
still seems disturbingly gleeful at this challenge/ game
|
Additive
|
3
|
3
(Dream); 3.75 (everything else)
|
Subject-to-subject
|
This
scene seems short, but severe; demonstrates dramatic effect and foreshadows
danger of game Dream is about to play
|
Dream
is the main focus (all other characters are out of focus and are faded);
sharp lines and shadows help to suggest how serious Dream is
|
Parallel
|
||
17
|
1
|
3
(Choronzon), 3.75 (Dream)
|
Almost
photographic
|
Shading
and some subtle dynamic lines suggest drama of challenge
|
Interdependent
|
Here,
it seems that the main scenes with Dream and Choronzon are placed over a
larger image/ reaction of the crowd that is watching them
|
|
2
|
4
(Crowd bleeding panel)
|
Subject-to-subject
|
Large
crowd reaction (short interval)
|
Shadows
suggest shadiness of audience; no real reactions yet
|
Word-specific
|
||
3
|
3
(Choronzon and Dream), 4.5 (wolf)
|
Subject-to-subject
|
Wolf/Choronzon
seems ready to attack; everything seems still; Dream looks contemplative
|
Sharp,
severe lines of wolf and Choronzon; shadowy, mysterious lines make up Dream
|
Duo-specific
|
||
4
|
4
(Crowd)
|
Subject-to-subject
|
Large
crowd reaction (short interval)
|
Shady,
no real focus/ specific shapes
|
Word-specific
|
||
5
|
3
(Choronzon and Dream), 4.5 (wolf and hunter)
|
Subject-to-subject
|
Hunter
strikes wolf quickly; Dream and Choronzon look like they are reacting quickly
to hunter and wolf
|
Dynamic
and severe lines of hunter as he strikes down wolf
|
Duo-specific
|
6
|
3.5
(crowd)
|
Subject-to-subject
|
Short
interval, large crowd reaction
|
More
shadiness
|
Word-specific
|
||
7
|
3.25
(Choronzon and Dream), 4.5 (Hunter and Fly)
|
Subject-to-subject
|
Hunter
is thrown quickly due to horsefly; quick reactions from Choronzon and Dream
|
Weak,
unstable, dynamic lines as Hunter is thrown by small yet strong fly
|
Duo-specific
|
||
8
|
3.75
(crowd)
|
Subject-to-subject
|
Short-term,
large crowd reaction that continues to bleed
|
Somewhat
surprised/ suspicious reaction from crowd; mostly shady, some dynamic and
weak
|
Word-specific
|
||
9
|
4
|
Subject-to-subject
|
Snapshot
of spider eating fly; very little movement; Choronzon and Dream are simply
made into shadows in the corners of the panel to highlight spider-fly scene
|
Dynamic
and sharp lines of spider and spider-web as fly is eaten
|
Duo-specific
|
18
|
1
|
4 (snake); 3 (Choronzon)
|
Photographic representation of Choronzon and snake
|
Sharp, savage lines of both Choronzon and snake
|
Duo-specific
|
||
2
|
4 (snake and ox); 3 (Dream)
|
Moment-to-moment
|
Snake is tromped by ox quickly; Dream seems still
|
Dynamic, strong lines of ox and Dream
|
Duo-specific
|
3
|
3.5 (crowd); 4.25 (Dream and Choronzon)
|
Moment-to-moment
|
Here, we see some reactions from the crowd; they seem chaotic, yet
short
|
Shadowy, chaotic lines of crowd and stage
|
Word-specific
|
||
4
|
3.25 (Choronzon); 4 (ox and anthrax)
|
Moment-to-moment
|
Photographic panel of Choronzon and ox suffering from anthrax
|
Savage lines of anthrax and Choronzon
|
Duo-specific
|
||
5
|
3.75
|
Moment-to-moment
|
Photographic representation of Dream and Choronzon on stage from a
different angle; quick
|
Shadowy, severe, somewhat savage lines as competition heats up
|
Word-specific
|
||
6
|
2.75 (Dream); 4 (world/space)
|
Moment-to-moment
|
Slight twinkle in Dream’s eye as he creates “blue” world
|
Sharp, shadowy lines of Dream as he “abandon[s] the offensive;” world
he creates is swirly
|
Duo-specific
|
||
7
|
2.5
|
Subject-to-subject
|
Quick, photographic reaction from Lucifer
|
Sharp, shadowy, somewhat severe reaction of Lucifer
|
Picture-specific
|
||
8
|
2.25 (Choronzon); 4 (world and nova)
|
Subject-to-subject
|
Very quick explosion from Nova and very little movement from
Choronzon
|
Savage and shadowy lines depict Choronzon; explosion is sharp, severe
|
Duo-specific
|
||
19
|
1
|
3.75
|
Large, quick explosion
|
“Bright” explosion of anti-life; simple explosion
|
Duo-Specific
|
Here, there are very few spaces between panels. Panels are blurred and run together,
creating a sense that the events depicted are quick and chaotic
|
|
2
|
4.25
|
Aspect-to-aspect
|
Quick, photographic reaction from crowd
|
Small crowd reaction: kinda harsh-looking lines
|
Picture specific
|
||
3
|
3 (Dream); 4.5 (Universe
|
Aspect-to-aspect
|
Quick, rapid creation (of cosmos)
|
Serious lines over Dream, simple “light” lines over cosmos creation
|
Interdependent
|
||
4
|
3.5
|
Aspect-to-aspect
|
Quick, photographic reaction from Azazel
|
Harsh, savage, sharp lines depict Azazel
|
Picture specific
|
||
5
|
4.75
|
Aspect-to aspect
|
Long, dramatic shot of Choronzon becoming anti-life
|
Dynamic lines as Choronzon creates anti-life; darkness of anti-life
is represented by grayness of the scene
|
Interdependent
|
||
6
|
3.75
|
Aspect-to-aspect
|
Quick, photographic reaction from crowd
|
Unstable-like lines depicting shock of crowd
|
Picture specific
|
||
7
|
3
|
Aspect-to-aspect
|
Short moment when Choronzon gloats before Dream wins
|
Dynamic lines create sense of smugness around Choronzon; also, he has
gone as dark as anti-life
|
Interdependent
|
8
|
2.5 (Dream), 3.5 (Choronzon), 3.75 (background/ crowd)
|
Subject-to-subject
|
Long, dramatic moment when Dream finally wins; reactions from crowd
and Choronzon; photographic pose of Dream; everything seems still
|
Serious lines over dream, “shocking” lines on every other character
|
Interdependent
|
||
20
|
1
|
3
|
Choronzon is “caught in the spotlight;” short moment
|
Mostly still sharp, severe; some weak unstable
|
Picture-specific
|
||
2
|
3
|
Moment-to-moment
|
Short moment (photographic)
|
50% sharp, 50% unstable
|
Picture-specific
|
||
3
|
3
|
Moment-to-moment
|
Short moment (photographic)
|
Lost all sharpness; Choronzon is made up of mostly weak and unstable
lines
|
Picture-specific
|
||
4
|
3.75
|
Action-to-action
|
Dramatic moment (long panel), yet still photographic
|
Blobby, dark, shadowing, savage lines
|
Interdependent
|
||
5
|
3 (foreground); 4 (background)
|
Subject-to-subject
|
Ecstasy and Agony are quick to gram Choronzon; everyone else is
either standing still or only subtly moving
|
Sharp lines around chains/barbs; smooth and curvy lines around Agony
and Ecstasy
|
Interdependent
|
||
6
|
3
|
Action-to-action
|
Speedy retreat by Ecstasy and Agony with Choronzon
|
Sharp, savage, severe, some weak and unstable lines
|
Picture-specific
|
21
|
1
|
2.5
|
Photograph of Dream holding helm; perhaps some slight movement
|
Dark, serious shadows as Dream holds helm; he is pleased, but doesn’t
seem elated
|
Duo-specific
|
||
2
|
3.5
|
Moment-to-moment
|
Photograph of Dream standing with Demon Kings on rock
|
Dream made of strong lines; Demon kings made of dynamic and savage
lines
|
Interdependent
|
||
3
|
3.25 (foreground), 4.25 (background)
|
Subject-to-subject
|
Long scene depicting large, chaotic demon crowd surrounding Dream
|
Demon crowd is made up of savage, sharp, some dynamic lines
|
Additive
|
||
4
|
4.5 (complete foreground), 3 (midground); 3.75 (background)
|
Subject-to-subject
|
Dream stands his ground as he contemplates demon crowd; Demon kings
are shadows in the foreground
|
Dream is made of stable and strong lines, demon crowd and Demon kings
are made up of sharp, dynamic, savage lines
|
Interdependent
|
||
22
|
1
|
3.25 (foreground), 4 (background)
|
Photographic image of Dream standing his ground; slight movement
|
Dynamic, sharp lines of Dream, savage lines of demon crowd behind him
|
Word-specific
|
2
|
3.25
|
Moment-to-moment
|
Photographic image of Dream’s face; he is confronting Lucifer; slight
movement
|
Dynamic, sharp lines of Dream, slight oblique angle
|
Word-specific
|
||
3
|
3.25
|
Moment-to-moment
|
Photographic image of Satan as he counter-confronts Dream
|
Dynamic, sharp lines of Lucifer; small oblique angle
|
Word-specific
|
||
4
|
3.75 (Dream and Demon Kings); 3 (foreground); 4 (background)
|
Moment-to-moment
|
Demons are moving all over the place; their movement is quick, but
endless; Dream gestures toward them as part of his challenge to the demons of
Hell
|
Dark, dynamic lines of Dream and Demon Kings; savage lines of Demon
crowd below; oblique angle
|
Interdependent
|
||
23
|
1
|
3.75
|
Photographic images as Dream slowly walks out of Hell
|
Slow parting of the demon crowd as they move to let Dream through;
demons made of savage lines; Dream made of strong, dynamic lines
|
Picture-specific
|
Here, Lucifer’s figure bleeds into all of the panels, signifying that
he is in all of these scenes at once
|
|
2
|
3.75
|
Moment-to-moment
|
Word-specific
|
||||
3
|
3.75
|
Moment-to-moment
|
Word-specific
|
||||
4
|
3.75
|
Moment-to-moment
|
Word-specific
|
24
|
1
|
3.5
|
Photographic
|
Oblique, dynamic line of Arkham Asylum; some shadows suggest that it
is unwelcoming
|
Interdependent
|
||
2
|
3.75
|
Subject-to-subject
|
Guard appears to be moving slowly down the hall
|
Oblique angle, dark shadows, sharp light of flashlight
|
Word-specific
|
||
3
|
3.25
|
Action-to-action
|
Guard tosses eye softly into Dee’s cell; mostly photographic; same
motion lines
|
More oblique angles; some shadows on guard, yet he seems warm and
gentle
|
Duo-specific
|
||
4
|
3.25
|
Action-to-action
|
Dee slowly picks up eye; scene is very slow
|
Quick, jagged, disturbed movement of Dee’s hand as it moves to pick
up eye
|
Picture-specific
|
||
5
|
3
|
Moment-to-moment
|
Dee reacts to the sight of the eye; photographic
|
Savage and severe lines and shadows make up Dee’s face
|
Interdependent
|
||
6
|
2.75
|
Moment-to-moment
|
Close-up of eye (photographic)
|
Small twinkle on eye; sharp, severe
|
Interdependent
|
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