Tobey Wills
I chose to do my analysis on the the movie scene from Creed where Adonis goes to Rocky's restaurant to meet him for the first time. Rocky does not know Adonis exists and does not believe he is Apollo Creed's son. Adonis asks Rocky to be his boxing coach and talk about his father, but Rocky declines and tells Adonis he should be a boxer after his father died boxing.
Here is a long shot of Adonis when he first shows up at Rocky's restaurant and looks at the pictures on the wall. This is also a closed space because the viewer can tell he is in a building and feels like he is trapped in the room. 0:16:51
Here is a low shot in the scene to show that Adonis has power and making Rocky feel bad that he was never there for Adonis. It shows Rocky is sitting down in the Foreground to show that Adonis is looking down at him while convincing Rocky to train him.
the shot |
A shot is an uninterrupted sequence of film/video bounded by
edits. Note that camera and/or actors can move or zoom, and any elements
below can change as that happens. |
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focal depth/ implied proximity |
Closer to people’s faces seems more intimate and “about” the
character, usually. |
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extreme long shot/ establishing shot (XLS) |
Shows the outside of Adrian’s. The restaurant Rocky owns. |
0:16:35 |
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long shot (LS) |
Adonis looking at all of the pictures of his dad and Rocky |
0:16:51 |
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medium close up (MCU) |
When Rocky first appears |
0:16:57 |
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close up (CU) |
Rocky’s face of confusion |
0:18:38 |
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big close up (BCU) |
Half of Adonis face is showing |
0:19:47 |
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angle |
Looking up gives them power. Looking down disempowers them. |
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high |
When Rocky is sitting down |
0:19:32 |
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eye level |
Rocky telling Adonis he looks like his father. |
0:20:00 | |||||||||
low |
Looking up at the picture of Apollo fighting Rocky |
0:16:51 |
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plane |
foreground |
Rocky |
0:17:09 |
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midground |
Adonis |
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background |
Pictures on the Wall of Rocky |
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space |
onscreen |
vs. |
Seen in frame. |
Adonis looking at pictures |
0:16:51 |
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offscreen |
Out of frame, but still existing. |
Rocky coming up the stairs |
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closed |
When Adonis is leaving the store. |
0:20:35 |
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diagonals |
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oblique/unbalanced |
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Looking at each other. |
0:18:13 |
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lighting |
Note the way
3-point lighting works, first. The fill light
removes shadows. The back light makes figures pop from the background. |
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high contrast/low key |
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sidelit |
Side of Rocky’s face is lit while talking to Adonis. |
0:19:54 |
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overhead |
Close up of the pictured and the light is shinning down |
0:16:49 |
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photography |
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lens |
Films often use various lenses. |
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wide angle |
Rocky first sees Adonis in his restaurant |
0:17:01 |
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telephoto/zoom |
Focusing on Rocky |
0:17:14 |
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image quality |
Film is a sandwich of
light-sensitive particles in fluidic emulsion sandwiched between harder
layers of acetate. Less expensive and/or faster film leaves more unresponsive
particles in the emulsion, leading to speckly grain. This can be an aesthetic
choice (gritty, realistic, etc.) |
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digital |
high res |
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Used the whole scene to focus on the chracters |
0:16:27-0:20:40 |
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exposure |
The amount of overall light. |
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“correct” exposure |
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Adonis is telling Rocky who he is |
0:18:13 |
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editing |
The joining of shots together. |
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outside in |
Goes from Adrian’s to inside to Adonis looking at the picture
to the picture |
0:16:35-0:16:50 |
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some cut types |
For the examples below, look sharp! The edit is pretty immediate
(and indicated by the “X” in my descriptions below.. And because edits can be
quick, make sure you see the first one, otherwise 3 or 4 edits will go by and
you’ll wonder which it is. |
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eyeline match |
Adonis looks then Rocky is there |
0:16:52 |
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graphic match |
See Rocky’s back while sitting down then the front of him |
0:19:00 |
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shot reverse shot |
Tell Rocky Apollo is his dad |
0:18:24 |
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the hook |
“How do you know all of this?” then cuts to a picture of his dad and the
resemblance. |
0:18:15 |
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sound |
These 5 pairs of terms can overlap and serve to differentiate
kinds of sounds. For example, a voiceover is diagetic… |
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diagetic |
Supposed to be in fictional world. |
This is like 99% of film sound. |
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non-diagetic |
Music plays from the soundtrack when starting the scene. |
0:16:30-0:16:43 |
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onscreen |
Rocky walking up stairs and closes door. |
0:16:55 |
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offscreen |
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simultaneous |
Rocky talking and walking up the stairs. |
0:16:50-0:17:00 |
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synchronous |
The sound of walking up stairs matches his foot steps. |
0:16:50 |
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external |
Throughout the whole scene hey talk to each other. |
0:16:30-0:20:35 |
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ReplyDeleteGood scene pick Tobey!
ReplyDeleteTo me, this scene conveys that Adonis has no where else to turn to to fulfill his desire to become a boxer and that Rocky is his last hope. It also in a way portrays Adonis wish to honor his father by doing what he loved.