Panel
|
Panel Transition
|
Time/Speed
|
Line
|
Abstraction
|
Words/Images
|
1
|
1-2 is aspect-to-aspect
|
In panel one there is no real movement of time. From panel one to
panel two there is no real time passing either, because it is just a zooming
in on the scene.
|
The lines are very gentle to show how Carmen is trying to relax
Heraclio.
|
Both: Not sure, they are shadowed.
|
Word
|
2
|
2-3 is non-sequitur
|
In panel two there is also almost no real time movement. From panel
two to panel three there is a few seconds of time passing shown because
Heraclio goes to write the letter.
|
The lines here are still gentler because she is still trying to relax
him.
|
Heraclio: 3.5
Carmen:3.5
|
Word
|
3
|
3-4 is also non-sequitur, but 2-4 is scene-to-scene
|
In panel three there is no real time change shown at all.
|
While there are many lines in this panel the most noticeable are on
the houses seem to be very clean and direct.
|
Tipin Tipin:5
|
Word
|
4
|
4-5 is action-to-action
|
From panel four to five there is a few seconds of time passing
because she takes her hands off his shoulders and brings them to her chest.
|
These lines are also gentle, which follows since Carmen is rubbing
Heraclio’s shoulders to relax him.
|
Heraclio:3.5
Carmen:3.5
|
Duo
|
5
|
5-6 is action-to-action
|
This is a little longer time gap because she begins to back out of
the room.
|
The lines here become more rough, to show Carmens nervousness.
|
Heraclio:3.5
Carmen:3.5
|
Duo
|
6
|
|
This is probably the longest time gap, because she has left the room.
|
Heraclios lines get rougher to show his startled reaction.
|
Heraclio:3.5
Carmen: Not sure, her face isn’t shown.
|
Duo
|
The top line of this blog are the theory and techniques guides for COMM 273. Along the left column you can see links to student work. Students post their public work here for COMM 273, Media and Popular Culture class at TLU.
Thursday, September 3, 2015
Haylee Anderson Heartbreak Soup Analysis
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