· Social History
Published by aquinasmedia View all posts by aquinasmedia, aquinasmedia,
P. by, Aquinasmedia, & aquinasmedia, V. all posts by. (2016, May 13). Gender
values in Snow White and the Seven dwarves. aquinasmedia. Retrieved October
4, 2021, from
https://aquinasmedia.wordpress.com/2015/06/16/gender-values-in-snow-white/#:~:text=This%20is%20reflective%20of%20the%20culture%20of%20the,while%20they%20went%20off%20to%20work%20each%20day.
This
source talks about Snow White fitting the description of an American housewife
during the Great Depression in which the time the film was made.
Wikimedia Foundation. (2021, September 11). Mirror Mirror (film).
Wikipedia. Retrieved October 4, 2021, from
https://en.wikipedia.org/wiki/Mirror_Mirror_(film).
The
Wikipedia page explains how this version of Snow White in this plot is way
different and defies the 1930s version of a American Housewife.
Pendidikan, S. (2013). THE SNOW WHITE’S CHARACTER’S TRANSFORMATION IN
“SNOW WHITE AND THE SEVEN DWARFS” AND “MIRROR MIRROR” SEEN FROM FEMINIST THEORY.
Repository, 1–36.
The
Journal explains how the feminism movement peaked in the film Mirror, Mirror
and how it changed the perception of Snow White.
·
Genre
Wikimedia Foundation. (2021, October 2). Snow White and the seven
dwarfs (1937 film). Wikipedia. Retrieved October 4, 2021, from
https://en.wikipedia.org/wiki/Snow_White_and_the_Seven_Dwarfs_(1937_film).
This source depicts the genre of the 1937 film as an
animated musical fantasy.
Wikimedia Foundation. (2021, September 11). Mirror Mirror (film).
Wikipedia. Retrieved October 4, 2021, from
https://en.wikipedia.org/wiki/Mirror_Mirror_(film)#:~:text=Mirror%20Mirror%20is%20a%202012%20American%20fantasy%20comedy,and%20Jason%20Keller%2C%20with%20music%20by%20Alan%20Menken.
This source depicts the genre of the 2012 film as a
fantasy comedy.
Maio, K. (2012). Beauty Fades, but Fairy Tales Never Die. Fantasy & Science Fiction, 123(3/4), 204–210
This
article talks about the key differences in both genre and plot of both Snow White
characters.
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