Wednesday, September 5, 2018
Monsters Blog Post
Panels
|
Abstraction
|
Transition
|
Speed/Time
|
Line
|
Words/Images
|
Panel 1
|
5
|
Panel 1-2: Action to Action
|
The lines behind Karen show that she is moving fast.
|
Although the figures are abstract the messy look of the lines demonstrate worry.
|
Picture
|
Panel 2
|
3
|
Panel 2-3:
Action to Action
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Deeze shows an expression that making time feel like its standing still. Along with the no background lines.
|
Most of the cross-hatching lines are vertical making the panel seem like its dragging down giving the effect of sorrow.
|
Additive
|
Panel 3
|
4.5
|
Panel 3-4: Subject to Subject
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The lines along the wall make it look like she is moving fast although she is standing still.
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The lines on the wall behind Karen make the panel seem anxious and in a rush.
|
Parallel
|
Panel 4
|
2.8
|
Panel 4-5: Moment to Moment
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Time is standing still.
|
The thin lines make the panel feel calm.
|
Additive
|
Panel 5
|
3
|
Time is standing still.
|
The thin lines make the panel feel calm.
|
Picture
|
page analysis 9/5
Panel
|
Time/space
|
Color/lines
|
abstraction
|
Tone
|
1
|
“vague
sense” given from the initial abstraction forced.
|
Cross-hatching
highly apparent. Portray emotional appeal heavily.
|
3
|
Seriousness
brought back in following vivid picture from previous page possibly.
|
2
|
“interdependent”
words create the images structure.
|
Blue
color becomes more visible in Mr. S
|
3.5
|
Emotional
appeal initiates in sequence.
|
3
|
“real
time”- presenting leveled functioning of subjects.
|
“weak/unstable”
lining. Color imbalance between subjects
|
2.5
|
Dynamic
presented within the two, level of balance at once.
|
4
|
Pause
panel- stretched of time from Mr. S response
|
“warm/gentle”
lining
|
2.5
|
Area
of trying to hold together.
|
5
|
Continuous
stretch from Mr. S carrying on emotion
|
“weak/unstable”
lining, blue color as heavy as can be.
|
5
(most abstract)
|
Too
much emotion brought in one, loss of control essentially from character
reaction
|
6
|
“subject
to subject” switch over. With the clicking of the tape.
|
Cross
hatching comes back. “rational/conservative” lining.
|
3
|
Mood
has largest switch from much emotion to sternness to get back to mission.
|
Monstress Analysis
Panel
|
Abstraction
|
Time
|
Lines
|
Word/Image
|
Transition
|
1
|
3
|
Slow because the image takes up most of the page, so it
makes the reader slow down to look at each detail.
|
Warm and Gentle
|
Duo
|
1 to 2: Subject to Subject
|
2
|
1.5
|
Normal
|
Warm and Gentle
|
Additive
|
2 to 3: Scene to Scene
|
3
|
4
|
Fast because it’s the smallest panel and also it’s wider.
|
Weak and unstable
|
Additive
|
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